COLORED PENCIL HISTORY and HONORS
While visiting a local art exhibit in the summer of 2002, I came across the colored pencil works of artist Robert Guthrie...and I was stunned. While I had used colored pencils in college, and for the occasional illustration job, I had never seen it used outside the commercial art world. What a revelation!
It was at this point that Robert introduced me to the Colored Pencil Society of America, (CPSA) and after returning home, I immersed myself into the world of colored pencil art. I scoured the internet for images and purchased any publication I could find on the subject. I couldn’t recall ever being this excited about any art form.
Now eight years later, my works have appeared in many magazines and books, and I have had the good fortune of winning an award in every CPSA exhibition I have been juried into...ten to date. While I know the streak will inevitably end, it has been an enjoyable and unbelievable journey!
In 2007 my piece “Baggage” won the Prismacolor Award for Excellence, and in both 2008 and 2009, my works “Empty Nest” and “Life and Death” were each the recipient of the Cippy Award for Excellence... the highest achievement in the CPSA, and am one of only two artists that has won the award more than once.
ART STYLE & TECHNIQUE
While I hope to eventually explore a broader range of colored pencil techniques, for now my passion lies with realism. The pencils allow for a tightly controlled process, and although it can be slow, it is also immensely rewarding. It suits me and how I work.
Although my works seems very literal, they are never straight depictions of a photo. In the early stages, I spend many hours at the computer with my digital reference photos; adjusting composition, scale, contrast, and color. I will also omit or add elements as needed, to help the pieces tell their story. It is the most creative part of the process.
WORK SCHEDULE
I probably work in a more methodical and disciplined fashion than many artists. I awake very early on weekdays, (Usually about 4:50 A.M.) just so that I can devote an hour of quiet, focused attention to creating colored pencil art. I established this method several years ago, and it has become part of my daily routine. While I may find extra time to draw on weekends, or in the evenings, it is rare that I will ever spend more than two hours a day working on a piece. It is also rare that I will ever miss a day. It has become that important to me.
STUDIO
A loft in my home provides a perfect space to fit my needs. I don’t enjoy working in isolation for long periods of time, and the loft space allows me the flexibility of having a private space, and to easily interact with family if needed.
INSPIRATION
When I began my artistic colored pencil journey, my goal regarding subject matter was to try a little of everything with no true direction in mind, and see what I gravitated towards.
Lately I find myself compelled by scenes in the American landscape, which the majority of us tend to overlook or find unsightly. The broken and peeling door, and the long abandoned dock, feel like they have an intriguing back-story, and my goal is to have the viewer feel it as well.
ADVICE
Finally, believe that your best artwork lies in your future...not in your past.